"I didn't take into account the original image. My work is totally self-referential, it doesn't need the context nor does it seek a relationship with it, it depends on its own conceptual matrix. I have drawn an indeterminate line. Something that resembles me, something that tells my work: whether it is straight, angular, broken, or indeterminate, the line permeates my creation from the beginning. These lines are first of all a volume. I always create in 3D. I make my models with steel bars of 10 to 18 mm, which I bend until I get the desired shape. When it is successful, two options are offered to me: I can either decide to make a monumental sculpture, or to exploit the image, by capturing through photography the particular angles that I like, from which I can then imagine a drawing or a canvas. I don't impose any rules on myself. Improvisation and impulse trigger and mark out the creative process. A year and a half ago, for example, I woke up one morning and ordered 200 steel arches. Each one weighing a ton. I composed my sculpture and, with the 150° bow set, I could add nothing more. I had arrived at the work that was needed, a collapse whose result was very powerful. I sent the 50 remaining arches back to the factory. Finally, one year later, in 2015, I decided to reintegrate these 50 orphan bows. A new collapse was born. It is to this day my major piece, my masterpiece. At least, until my next idea. Steel remains my fetish material. I love its brutality, its rust, the pharaonic work it demands. It is a material a priori not seductive, which imposes itself. It suits me well. I use Corten steel for geometric work, and XC 10 steel when there is torsion, as for the indeterminate lines. A team of 27 people make my parts in a factory in Hungary. In addition to steel, my work draws on the formal dimension of mathematics. And finds in it a radicality, a break with what art was hitherto capable of producing. I no longer do abstract, I no longer do figurative, I introduce a third dimension. I objectivize. I extract myself from existing fields. I have only one ambition in my art: to question everything I have learned. »